both are very "soft" sounding instruments. I just happened to have recently recorded two Pleyel pianoforte's, one from 1831, the other from 1834 and I would claim the opposite. If any of you experienced folks have any thoughts along these lines, this rookie would be grateful to hear them! is it as good as the best of any pianos out there, including large sampled libraries? Is it as good as a well-recorded live piano? But all this got me thinking a bit about the "detail up top" of Pianoteq 5.
I do understand that Greg Well's comments didn't address modelled pianos.
whether the Pianoteq 5's strength not necessarily in top end detail? A comparison of the Pianoteq 5 with one of the large sampled library pianos may help answer that, but I don't have access to any of those. I'm interested whether the S90ES is punching above its weight in terms of "detail up top" as Greg Wells puts it, compared to the Pianoteq 5, vs. I expected to see a lot more harmonic signal higher than the 4-5kHz I saw in the S90ES patch, but actually the upper limit of signal was about the same!
#MODARTT PIANOTEQ 5 ZIP PATCH#
I decided to run the same comparison (D4 Blues, I believe is the patch name), and was very surprised. Soon thereafter I bought Pianoteq 5, and am very happy with the sound (I have Stage at the moment). I did a quick test of the S90ES, playing rhythmic chords mainly in the mid to lower octaves (120 Hz to 500 Hz, approximately, two octaves around middle C), and noted that there wasn't much harmonic signal above 4-5 kHz. If it's a great sounding sample, the pianocentric should perform beautifully with it." Some sampled pianos don't have a lot of detail way up top, a bit flat and rolled off sounding, so turning the pianocentric knob to the right won't be as effective. "The better sounding the original source is, the better result you'll get from additional processing. Wells if he thought his PianoCentric would be helpful on the S90ES, and he replied as below: As it was a piano bundled in a DAW, I assumed it might be less than great-sounding (it's the only one I'd ever known for years), so I asked Mr. PIANOTEQ opens new soundscapes that enriches the resources of all musicians and composers, from amateurs to professionals.Hi - I bought PianoCentric, a Waves plug-in by Greg Wells, sometime before I bought Pianoteq 5, when I was using Cubase's Halion Sonic S90ES VST patch.
They can also serve as starting points for creating new instruments, entering the virtual world of the fourth piano generation. They can be used just right out of the box. When building these two instruments, we took our inspiration from the very best acoustic pianos in the world. Thus any musician or producer should find the piano he needs. Different perspectives are provided with each instrument: player, recording (4 mics in the C3 solo recording), close mic, binaural… These are only a few among the infinitely many perspectives that you can create yourself by choosing your own recording settings: mics placement and mixing. In the end, this is of course a matter of taste and the choice will depend on the selected music. The Grand M3 has an attack and presence that will suit jazz and rock music. The Grand C3 has a warm and coloured sound, suitable for classical, romantic or lyrical music. Pianoteq interface Thanks to our research, we build two beautiful new instruments that each has its own personality. The head can be rotated in any direction and even its size can be changed. In binaural mode, for headphone usage, a head model is used for simulating the sound heard by a person located where the head is placed in the interface. The resulting experience is simply an amazing audio immersion!
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Unlimited sound perspectives PIANOTEQ offers thus full control of the sound source and unlimited possibilities to choose the “colour” of the piano sound, similar to what professional audio engineer do when recording. A mixer is available for combining the mics into 5 output channels, with the possibility to adjust separately level and delay. The new acoustic model allows you to place up to 5 microphones anywhere around the piano in an additional illustrative interface. Developed in close cooperation with demanding musicians, it brings stunning realism, clarity and brilliance. One of the most exciting new features in version 3 is the new acoustic model which simulates the sound radiation of the soundboard and the cabinet. The powerful innovative features of Pianoteq make it the natural choice for demanding musicians including composers, producers and keyboardists.
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Pianoteq is a virtual piano software offering superb dynamics, natural resonances and unique physical parameters.
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